Contenido
I. La infalibilidad de la Escritura.
1. Esta es nuestra garantía para la enseñanza de la verdad escritural.
2. Este es el derecho que tiene la Palabra de Dios para que se le preste atención.
3. Esto da a la Palabra de Dios un carácter muy especial.
4. Esto convierte a la Palabra de Dios en una fuente de gran alarma para muchos.
5. Esto hace que la Palabra del Señor sea la razón y el descanso de nuestra fe.
II. La Biblia probada y comprobada.
1. La calidad de las palabras de Dios.
2. Las pruebas de las palabras de Dios.
3. Las exigencias de las palabras del Señor.
III. La infalibilidad: Dónde encontrarla y cómo usarla.
1. Fue el arma escogida por nuestro Campeón.
2. Qué uso debemos dar a este “Escrito está”
3. Él nos mostró cómo manejarla.
C.H. Spurgeon (1834 - 1892)
Spurgeon quickly became known as one of the most influential preachers of his time. Well known for his biblical powerful expositions of scripture and oratory ability. In modern evangelical circles he is stated to be the "Prince of Preachers." He pastored the Metropolitan Tabernacle in downtown London, England.His church was part of a particular baptist church movement and they defended and preached Christ and Him crucified and the purity of the Gospel message. Spurgeon never gave altar calls but always extended the invitation to come to Christ. He was a faithful minister in his time that glorified God and brought many to the living Christ.
Charles Haddon Spurgeon was England's best-known preacher for most of the second half of the nineteenth century. In 1854, just four years after his conversion, Spurgeon, then only 20, became pastor of London's famed New Park Street Church (formerly pastored by the famous Baptist theologian John Gill).
The congregation quickly outgrew their building, moved to Exeter Hall, then to Surrey Music Hall. In these venues Spurgeon frequently preached to audiences numbering more than 10,000 - all in the days before electronic amplification.
In 1861 the congregation moved permanently to the new Metropolitan Tabernacle.
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