Exodus 15:1-22

CHAPTER XV.

THE SONG OF MOSES.

Exodus 15:1-22.

During this halt they prepared that great song of triumph which St. John heard sung by them who had been victorious over the beast, standing by the sea of glass, having the harps of God. For by that calmer sea, triumphant over a deadlier persecution, they still found their adoration and joy expressed in this earliest chant of sacred victory. Because all holy hearts give like thanks to Him Who sitteth upon the throne, therefore "deep answers unto deep," and every great crisis in the history of the Church has legacies for all time and for eternity; and therefore the triumphant song of Moses the servant of God enriches the worship of heaven, as the penitence and hope and joy of David enrich the worship of the Church on earth (Revelation 15:3).

Like all great poetry, this song is best enjoyed when it is neither commented upon nor paraphrased, but carefully read and warmly felt. There are circumstances and lines of thought which it is desirable to point out, but only as a preparation, not a substitute, for the submission of a docile mind to the influence of the inspired poem itself. It is unquestionably archaic. The parallelism of Hebrew verse is already here, but the structure is more free and unartificial than that of later poetry; and many ancient words, and words of Egyptian derivation, authenticate its origin. So does the description of Miriam, in the fifteenth verse, as "the prophetess, the sister of Aaron." In what later time would she not rather have been called the sister of Moses? But from the lonely youth who found Aaron and Miriam together as often as he stole from the palace to his real home--the lonely man who regained both together when he returned from forty years of exile, and who sometimes found them united in opposition to his authority (Numbers 12:1-2)--from Moses alone the epithet is entirely natural.

It is also noteworthy that Philistia is mentioned first among the foes who shall be terrified (Exodus 15:14, R.V.), because Moses still expected the invasion to break first on them. But the unbelieving fears of Israel changed the route, so that no later poet would have set them in the forefront of his song. Thus also the terror of the Edomites is anticipated, although in fact they sturdily refused a passage to Israel through their land (Numbers 20:20). All this authenticates the song, which thereupon establishes the miraculous deliverance that inspired it.

The song is divided into two parts. Up to the end of the twelfth verse it is historical: the remainder expresses the high hopes inspired by this great experience. Nothing now seems impossible: the fiercest tribes of Palestine and the desert may be despised, for their own terror will suffice to "melt" them; and Israel may already reckon itself to be guided into the holy habitation (Exodus 15:13).

The former part is again subdivided, by a noble and instinctive art, into two very unequal sections. With amplitude of triumphant adoration, the first ten verses tell the same story which the eleventh and twelfth compress into epigrammatical vigour and terseness. To appreciate the power of the composition, one should read the fourth, fifth, and sixth verses, and turn immediately to the twelfth.

Each of these three divisions closes in praise, and as in the "Israel in Egypt," it was probably at these points that the voices of Miriam and the women broke in, repeating the first verse of the ode as a refrain (Exodus 15:1 and Exodus 15:21). It is the earliest recognition of the place of women in public worship. And it leads us to remark that the whole service was responsive. Moses and the men are answered by Miriam and the women, bearing timbrels in their hands; for although instrumental music had been sorely misused in Egypt, that was no reason why it should be excluded now. Those who condemn the use of instruments in Christian worship virtually contend that Jesus has, in this respect, narrowed the liberty of the Church, and that a potent method of expression, known to man, must not be consecrated to the honour of God. And they make the present time unlike the past, and also unlike what is revealed of the future state.

Moreover there was movement, as in very many ancient religious services, within and without the pale of revelation.[28] Such dances were generally slow and graceful; yet the motion and the clang of metal, and the vast multitudes congregated, must be taken into account, if we would realise the strange enthusiasm of the emancipated host, looking over the blue sea to Egypt, defeated and twice bereaved, and forward to the desert wilds of freedom.

The poem is steeped in a sense of gratitude. In the great deliverance man has borne no part. It is Jehovah Who has triumphed gloriously, and cast the horse and charioteer--there was no "rider"--into the sea. And this is repeated again and again by the women as their response, in the deepening passion of the ode. "With the breath of His nostrils the waters were piled up.... He blew with His wind and the sea covered them." And such is indeed the only possible explanation of the Exodus, so that whoever rejects the miracle is beset with countless difficulties. One of these is the fact that Moses, their immortal leader, has no martial renown whatever. Hebrew poetry is well able to combine gratitude to God with honour to the men of Zebulun who jeopardised their lives unto the death, to Jael who put her hand to the nail, to Saul and Jonathan who were swifter than eagles and stronger than lions. Joshua and David can win fame without dishonour to God. Why is it that here alone no mention is made of human agency, except that, in fact, at the outset of their national existence, they were shown, once for all, the direct interposition of their God?

From gratitude springs trust: the great lesson is learned that man has an interest in the Divine power. "My strength and song is Jah," says the second verse, using that abbreviated form of the covenant name Jehovah, which David also frequently associated with his victories. "And He is become my salvation." It is the same word as when, a little while ago, the trembling people were bidden to stand still and see the salvation of God. They have seen it now. Now they give the word Salvation for the first time to the Lord as an appellation, and as such it is destined to endure. The Psalmist learns to call Him so, not only when he reproduces this verse word for word (Psalms 118:14), but also when he says, "He only is my rock and my salvation" (Psalms 62:2), and prays, "Before Ephraim, Benjamin, and Manasseh, come for salvation to us" (Psalms 80:2).

And the same title is known also to Isaiah, who says, "Behold God is my salvation," and "Be Thou their arm every morning, our salvation also in the time of trouble" (Isaiah 12:2, Isaiah 33:2).

The progress is natural from experience of goodness to appropriation: He has helped me: He gives Himself to me; and from that again to love and trust, for He has always been the same: "my father," not my ancestors in general, but he whom I knew best and remember most tenderly, found Him the same Helper. And then love prompts to some return. My goodness extendeth not to Him, yet my voice can honour Him; I will praise Him, I will exalt His name. Now, this is the very spirit of evangelical obedience, the life-blood of the new dispensation racing in the veins of the old.

Where praise and exaltation are a spontaneous instinct, there is loyal service and every good work, not rendered by a hireling but a child. Had He not said, "Israel is My son"?

From exultant gratitude and trust, what is next to spring? That which is reproachfully called anthropomorphism, something which indeed easily degenerates into unworthy notions of a God limited by such restraints or warped by such passions as our own, yet which is after all a great advance towards true and holy thoughts of Him Who made man after His image and in His likeness.

Human affection cannot go forth to God without believing that like affection meets and responds to it. If He is indeed the best and purest, we must think of Him as sharing all that is best and purest in our souls, all that we owe to His inspiring Spirit.

"So through the thunder comes a human voice, Saying ’O heart I made, a heart beats here.’"

If ever any religion was sternly jealous of the Divine prerogatives, profoundly conscious of the incommunicable dignity of the Lord our God Who is one Lord, it was the Jewish religion. Yet when Jesus was charged with making Himself God, He could appeal to the doctrine of their own Scripture--that the judges of the people exercised so divine a function, and could claim such divine support, that God Himself spoke through them, and found representatives in them. "Is it not written in your law, I said Ye are gods?" (John 10:34). Not in vain did He appeal to such scriptures--and there are many such--to vindicate His doctrine. For man is never lifted above himself, but God in the same degree stoops towards us, and identifies Himself with us and our concerns. Who then shall limit His condescension? What ground in reason or revelation can be taken up for denying that it may be perfect, that it may develop into a permanent union of God with the creature whom He inspired with His own breath? It is by such steps that the Old Testament prepared Israel for the Incarnation. Since the Incarnation we have actually needed help from the other side, to prevent us from humanising our conceptions over-much. And this has been provided in the ever-expanding views of His creation given to us by science, which tell us that if He draws nigh to us it is from heights formerly undreamed of. Now, such a step as we have been considering is taken unawares in the bold phrase "Jehovah is a man of war." For in the original, as in the English, this includes the assertion "Jehovah is a man." Of course it is only a bold figure. But such a figure prepares the mind for new light, suggesting more than it logically asserts.

The phrase is more striking when we remember that remarkable peculiarity of the Exodus and its revelations which has been already pointed out. Elsewhere God appears in human likeness. To Abraham it was so, just before, and to Manoah soon afterwards. Ezekiel saw upon the likeness of the throne the likeness of the appearance of a man (Ezekiel 1:26). But Israel saw no similitude, only he heard a voice. This was obviously a safeguard against idolatry. And it makes the words more noteworthy, "Jehovah is a man of war," marching with us, our champion, into the battle. And we know Him as our fathers knew Him not,--"Jehovah is His name."

* * * * *

The poem next describes the overthrow of the enemy: the heavy plunge of men in armour into the deeps, the arm of the Lord dashing them in pieces, His "fire" consuming them, while the blast of His nostrils is the storm which "piles up" the waters, solid as a wall of ice, "congealed in the heart of the sea." Then the singers exultantly rehearse the short panting eager phrases, full of greedy expectation, of the enemy breathless in pursuit--a passage well remembered by Deborah, when her triumphant song closed by an insulting repetition of the vain calculations of the mother of Sisera and "her wise ladies."

The eleventh verse is remarkable as being the first announcement of the holiness of God. "Who is like unto Thee, glorious in holiness?" And what does holiness mean? The Hebrew word is apparently suggestive of "brightness," and the two ideas are coupled by Isaiah (Isaiah 10:17): "The Light of Israel shall be for a fire, and his Holy One for a flame." There is indeed something in the purity of light, in its absolute immunity from stain--no passive cleanness, as of the sand upon the shore, but intense and vital--and in its remoteness from the conditions of common material substances, that well expresses and typifies the lofty and awful quality which separates holiness from mere virtue. "God is called the Holy One because He is altogether pure, the clear and spotless Light; so that in the idea of the holiness of God there are embodied the absolute moral purity and perfection of the Divine nature, and His unclouded glory" (Keil, Pent., ii. 99). In this thought there is already involved separation, a lofty remoteness.

And when holiness is attributed to man, it never means innocence, nor even virtue, merely as such. It is always a derived attribute: it is reflected upon us, like light upon our planet; and like consecration, it speaks not of man in himself, but in his relation to God. It expresses a kind of separation to God, and thus it can reach to lifeless things which bear a true relation to the Divine. The seventh day is thus "hallowed." It is the very name of the "Holy Place," the "Sanctuary." And the ground where Moses was to stand unshod beside the burning bush was pronounced "holy," not by any concession to human weakness, but by the direct teaching of God. Very inseparable from all true holiness is separation from what is common and unclean. Holy men may be involved in the duties of active life; but only on condition that in their bosom shall be some inner shrine, whither the din of worldliness never penetrates, and where the lamp of God does not go out.

It is a solemn truth that a kind of inverted holiness is known to Scripture. Men "sanctify themselves" (it is this very word), "and purify themselves to go into the gardens, ... eating swine’s flesh and the abomination and the mouse" (Isaiah 66:17). The same word is also used to declare that the whole fruit of a vineyard sown with two kinds of fruit shall be forfeited (Deuteronomy 22:9), although the notion there is of something unnatural and therefore interdicted, which notion is carried to the utmost extreme in another derivative from the same root, expressing the most depraved of human beings.

Just so, the Greek word "anathema" means both "consecrated" and "marked out for wrath" (Luke 21:5; 1 Corinthians 16:22 the difference in form is insignificant.) And so again our own tongue calls the saints "devoted," and speaks of the "devoted" head of the doomed sinner, being aware that there is a "separation" in sin as really as in purity. The gods of the heathen, like Jehovah, claimed an appropriate "holiness," sometimes unspeakably degraded. They too were separated, and it was through long lines of sphinxes, and many successive chambers, that the Egyptian worshipper attained the shrine of some contemptible or hateful deity. The religion which does not elevate depresses. But the holiness of Jehovah is noble as that of light, incapable of defilement. "Who among the gods is like Thee ... glorious in holiness?" And Israel soon learned that the worshipper must become assimilated to his Ideal: "Ye shall be holy men unto Me" (Exodus 22:31). It is so with us. Jesus is separated from sinners. And we are to go forth unto Him out of the camp, bearing His reproach (Hebrews 7:26, Hebrews 13:13).

The remainder of the song is remarkable chiefly for the confidence with which the future is inferred from the past. And the same argument runs through all Scripture. As Moses sang, "Thou shalt bring them in and plant them in the mountain of Thine inheritance," because "Thou stretchedst out Thy right hand, the earth[29] swallowed" their enemies, so David was sure that goodness and mercy should follow him all the days of his life, because God was already leading him in green pastures and beside still waters. And so St. Paul, knowing in Whom he had believed, was persuaded that He was able to keep his deposit until that day (2 Timothy 1:12).

So should pardon and Scripture and the means of grace reassure every doubting heart; for "if the Lord were pleased to kill us, He would not have ... showed us all these things" (Judges 13:23). And in theory, and in good hours, we confess that this is so. But after our song of triumph, if we come upon bitter waters we murmur; and if our bread fail, we expect only to die in the wilderness.

FOOTNOTES:

[28] There is no warrant in the use of Scripture for Stanley’s assertion that the word translated "dances" should be rendered "guitars." (Smith’s Dict. of Bible, Article Miriam.)

[29] This is to be taken literally; it does not mean the waves, but the quicksands in which they "drave heavily," and which, when steeped in the returning waters, engulfed them.