“Oh it cannot be denied that in the monastery he believed completely in miracles, but in my experience miracles never bother a realist. It is not miracles that incline a realist towards faith. The true realist, if he is not a believer, will invariably find within himself the strength and the ability not to believe in miracles either, and if a miracle stands before him as a incontrovertible fact, he will sooner disbelieve his senses than admit that fact. And even if he does admit it, it will be as a fact of nature, but one that until now has been obscure to him. In the realist it is not faith that is born of miracles, but miracles of faith. Once a realist believes, his realism inexorably compels him to admit miracles too. The Apostle Thomas declared that he would not belive until he saw, and when he saw, said: 'mMy Lord and my God.' Was it the miracle that had made him believe? The likeliest explanation is that it was not, and that he came to believe for the sole reason that he wanted to believe and, perhaps, in the inmost corners of his being already fully believed, even when he said: 'Except I shall see... I will not believe.' [John 20:25]”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.