The journals of a club which called itself the Lunatic Asylum: a group of amiable eccentrics who spend their time trying to do the impossible. At first they are nothing more than that: four whimsical idiots with no sense of responsibility, clowning outrageously for the sake of clowning. But soon they begin to see themselves as men with a mission: for they find that they are the only people left in England who are still defending the individual soul against conformity, wealth, and the super-state.
As they find their buffoonery hemmed in more and more by official regulations, their pranks turn into a form of rebellion. The humor remains, but it takes on a purpose. And in the process, the tenuously connected stories turn into a novel. The book ends in a kind of crescendo of madness, which is at once a parable, and a clear call to arms (or at least a thought) for individuals in our Age of Conformity.
Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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