Defiant Joy is a powerful narrative of Chesterton's life through his literary accomplishments.
Amid currents of modernity that sought to displace the Christian faith, Chesterton challenged thought leaders of his day with civility, erudition, and wit, contending that faith is the central piece of our humanity. C. S. Lewis credits The Everlasting Man for his Christian vision, while Heretics and Orthodoxy are still considered pillars of Christian thought.
Amid currents of modernity that sought to displace the Christian faith, Chesterton challenged thought leaders of his day with civility, erudition, and wit, contending that faith is the central piece of our humanity. C. S. Lewis credits The Everlasting ManThe Everlasting Man for his Christian vision, while HereticsHeretics and OrthodoxyOrthodoxy are still considered pillars of Christian thought.But Chesterton wasn't just an apologist. He wrote literary criticisms of Dickens and Chaucer still revered as seminal works. He wrote long-form epic poetry, widely-published articles, and lectured on art, politics, and history. Defiant Joy reveals a larger-than-life thinker and cultural giant-showing his utmost relevance for us today, and how a vibrant Christian witness can display the merits, joy, and sanity of a faith many wish to discredit.
But Chesterton wasn't just an apologist. He wrote literary criticisms of Dickens and Chaucer still revered as seminal works. He wrote long-form epic poetry, widely-published articles, and lectured on art, politics, and history. Defiant JoyDefiant Joy reveals a larger-than-life thinker and cultural giant-showing his utmost relevance for us today, and how a vibrant Christian witness can display the merits, joy, and sanity of a faith many wish to discredit.Published August 1st 1987 by Ignatius Press (first published June 1986)

Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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