“Does the reader realise the despair that falls upon the hapless Catholic journalist at such moments; or how wild a prayer he may well send up for the intercession of St. Francis of Sales? What is he to say; or at what end of that sentence is he to begin? What is the good of his laboriously beginning to explain that a married clergy is a matter of discipline and not doctrine, that it can therefore be allowed locally without heresy--when all the time the man thinks a beard as important as a wife and more important than a false religion? What is the sense of explaining to him the peculiar historical circumstances that have led to preserving some local habits in Kiev or Warsaw, when the man at any moment may receive a mortal shock by seeing a bearded Franciscan walking through Wimbledon or Walham Green? What we want to get at is the mind of the man who can think so absurdly about us as to suppose we could have a horror of heresy, and then a weakness for heresy, and then a greater horror of hair. To what does he attribute all the inconsistent nonsense and inconsequent bathos that he associates with us? Does he think we are all joking; or all dreaming; or all out of our minds; or what does he think?”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.