“The air was still; when a breath awoke, it but touched his cheek like the down of a feather, and the stillness was there again. The stillness grew great, and slowly descended upon him. It deepened and deepened. Surely it would deepen to a voice! -- it was about to speak! It was as if a great single thought was the substance of the silence, and was all over and around him, and closer to him than his clothes, than his body, than his hands. I am describing the indescribable, and compelled to make it too definite for belief. In colder speech, an experience had come to the child; a link in the chain of his development glided over the windlass of his uplifting; a change passed upon him. In after years, when Gibbie had the idea of God, when he had learned to think about him, to desire his presence, to believe that a will of love enveloped his will, as the brooding hen spreads her wings over her eggs -- as often as the thought of God came to him, it came in the shape of the silence on the top of Glashgar.”
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George MacDonald was a Scottish author, poet, and Christian minister.
Known particularly for his poignant fairy tales and fantasy novels, George MacDonald inspired many authors, such as W. H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence."
Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.
MacDonald grew up influenced by his Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others.