“The factory-bells had need to ring their loudest that morning to disperse the groups of workers who stood in the tardy daybreak, collected round the placards [wanted posters], devouring them with eager eyes. Not the least eager of the eyes assembled, were the eyes of those who could not read. These people, as they listened to the friendly voice that read aloud--there was always some such ready to help them--stared at the characters which meant so much with a vague awe and respect that would have been half ludicrous, if any aspect of public ignorance could ever be otherwise than threatening and full of evil.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.