“Well do I remember a friend of mine telling me once--he was then a labourer in the field of literature, who had not yet begun to earn his penny a day, though he worked hard--telling me how once, when a hope that had kept him active for months was suddenly quenched--a book refused on which he had spent a passion of labour--the weight of money that must be paid and could not be had, pressing him down like the coffin-lid that had lately covered the ONLY friend to whom he could have applied confidently for aid--telling me, I say, how he stood at the corner of a London street, with the rain, dripping black from the brim of his hat, the dreariest of atmospheres about him in the closing afternoon of the City, when the rich men were going home, and the poor men who worked for them were longing to follow; and how across this waste came energy and hope into his bosom, swelling thenceforth with courage to fight, and yield no ear to suggested failure. And”
George MacDonald was a Scottish author, poet, and Christian minister.
Known particularly for his poignant fairy tales and fantasy novels, George MacDonald inspired many authors, such as W. H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence."
Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.
MacDonald grew up influenced by his Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others.