“I speak as a judge and I know that I was guilty. Even in the whirl in which I was caught up, and though I was alone without a guide or counsellor, I was, I swear, conscious of my downfall, and so there's no excuse for me. And yet, for those two months I was almost happy -- why, almost? I was quite happy! And so happy -- would it be believed -- that the consciousness of my degradation, of which I had glimpses at moments (frequent moments!) and which made me shudder in my inmost soul, only intoxicated me more. "What do I care if I'm fallen! And i won't fall, I'll get out of it! I have a lucky star!" I was crossing a precipice on a thin plank without a rail, and I was pleased at my position, and even peeped into the abyss. It was risky and it was delightful. And "my idea"? My "idea" later, the idea would wait. Everything that happened was simply "a temporary deviation." "Why not enjoy oneself?" That's what was amiss with my idea. I repeat, it admitted of all sorts of deviations; if it had not been so firm and fundamental I might have been afraid of deviating.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.