“Thirdly, in other parts, where they have a written language, as in the East-Indies, China, Japan, &c. they know nothing of the gospel. The jesuits indeed once made many converts to popery among the Chinese; but their highest aim seemed to be to obtain their good opinion; for though the converts professed themselves Christians, yet they were allowed to honour the image of Confucius their great law-giver; and at length their ambitious intrigues brought upon them the displeasure of government, which terminated in the suppression of the mission, and almost, if not entirely, of the Christian name.”
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The English Baptist preacher William Carey was known as the father of modern Protestant missions, and was a pioneer of new-style evangelism in India. He helped found the Baptist Missionary Society in 1792 and shortly thereafter went to India. Carey did most of the work in publishing the Bible in many Indian vernaculars. He wrote grammars of the vernaculars and several dictionaries. He became a professor of Sanskrit at Fort William College, Calcutta.
In 1793 Carey arrived in India, where he was confronted with the antimissionary attitude of the British colonial government. He settled in the Danish colony of Serampore, near Calcutta, where he inspired the teamwork of the "Serampore Trio" (Carey, William Ward, and Joshua Marshman). This "commune" attempted to translate the universality of the Christian faith into terms of practical involvement in all aspects of Indian life.
The basic principle of communal life was that every member should be, as far as possible, self-supporting. Carey paid for his missionary work (among other things) by acting as a director of an indigo factory and as a professor of languages in a secular institution. The objective of the community was to disseminate the gospel in all possible ways: by preaching, by teaching (in schools), and by literature (translating the Bible into more than 30 languages). Carey's translation service was noteworthy. He also made available some of the Indian classics and was instrumental in the renaissance of Hindu culture in the 19th century.