“You took all that was most extraordinary, most hypothetical, and most vague, all that was beyond the understanding of the people, and thus You acted as though You did not love them at all—and who was this? The one who had come to give His life for them! Instead of taking control of human freedom, You intensified it and burdened man’s spiritual domain with its torments for ever. You desired man to have freedom of choice in love so that he would follow You freely, lured and captivated by You. Instead of the old immutable law, man should henceforth decide with a free heart what is good and what is evil, having only Your image before him as a guide—but didn’t it occur to You that in the end men would reject and dispute even Your image and Your truth if they were saddled with such a terrible burden as freedom of choice? They will cry out in the end that truth is not in You, for they could not have been left in worse confusion and torment than that in which You left them, bequeathing them so many problems and unresolved questions. So You Yourself sowed the seed of the destruction of Your own kingdom; blame no one else for this.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.